Harry Potter and the Deathly Hallows Part 1

2010, Rated PG-13, 146 Minutes, Directed by David Yates, Produced by Lionel Wigram, Screenplay by Steve Kloves based on the novel by J.K. Rowling, Cinematography by Eduardo Serra, Original Music by Alexandre Desplat

With: Daniel Radcliffe (Harry Potter), Emma Watson (Hermione Granger), Rupert Grind (Ron Weasley), Alan Rickman (Severus Snape), Ralph Fiennes (Lord Voldemort), Helena Bonham Carter (Bellatrix Lestrange)

I left the theater feeling slightly disappointed; part one of the most successful franchise in history had left me wanting so much more. It often felt slow and more introspective than the in your face adventure you might expect from Harry and his friends trying to save the wizarding world, no, all of humanity from the evil exploits of Lord Voldemort. As time wore on, however, I grew to appreciate the finer qualities of the film and even more the finer qualities of the story itself. Rowling’s story, Kloves screenplay and Yates movie proved itself to be a thoroughly satisfying penultimate film in the Harry Potter series.

The Town

2010, Rated R, 123 minutes, Directed by Ben Affleck, Written by Peter Craig, Ben Affleck and Aaron Stockard, Produced by Basil Iwanyk and Graham King, Cinematography by Robert Elswit, Original Music by David Buckley and Harry Gregson-Williams.

With: Ben Affleck (Doug MacRay), Rebecca Hall (Claire Keesey), Jon Hamm (FBI S.A. Adam Frawley), Jeremy Renner (James Coughlin), Blake Lively (Krista Coughlin), Titus Welliver (Dino Ciampa), Pete Postlethwaite (Fergie), Chris Cooper (Stephen MacRay)

Audiences are thrust right into the heat of the moment as the bank robbers quickly and efficiently bust into the first bank to be taken down in The Town. They take their time, they know exactly what they are doing yet not everything goes according to plan as flashes of intensity punctuate the moments of efficiency. The Town sets the tone for the entire film in the opening moments of the film. It takes its time with character development and plot reveals. It is meticulous in its details and efficient in its story line. At the same time, there are moments of great intensity and uncertainty. The tone and progression of the film makes it a wonderfully intense and methodical narrative that enthralls the viewer in the ebb and flow of a man trapped in a world of crime and distrust whose metaphorical perimeter is closely guarded by both those inside and out. 

The Expendables

2010, Rated R, 103 minutes, Directed, Written and Produced by Sylvester Stallone, Cinematography by Jeffrey Kimball, Original Music by Brian Tyler

With: Sylvester Stallone (Barney Ross), Jason Statham (Lee Christmas), Jet Li (Ying Yang), Dolph Lundgren (Gunner Jensen), Eric Roberts (James Munroe), Randy Couture (Toll Road), Steve Austin (Paine), Diselle Itie (Sandra), Terry Crews (Hale Caesar), Mickey Rourke (Tool)

80s action movies are known for the extreme action, deplorable acting, great one liners and twice over, action. The Expendables brings in an a-list cast of action stars both past and present in an attempt to bring back the lost art of an 80s action blockbuster and for the most part succeeds. Although the action is intense, it does not come frequently enough and there was a significant dearth of one-liners. In order to enjoy this film, which I did, you have to do two things: leave the notion of a cinematic masterpiece at home, and bring every guy you know along with you (thanks Roby).

Salt

2010, Rated PG-13, 100 minutes, Directed by Phillip Noyce, Written by Kurt Wimmer, Produced by, Lorenzo di Bonaventura & Sunil Perkash, Cinematography by Robert Elswit, Original Music by James Howard

With: Angelina  Jolie (Evelyn Salt), Liev Schreiber (Ted Winter), Chiwetel Ejiofor (Peabody), Daniel Olbrychski (Orlov)

It is only fitting that just weeks after 11 Russian sleeper spies were captured and exchanged, that a movie would come out that delves deep into the idea of Russian sleeper spies. You can’t pay for that kind of marketing. Fortunately for the movie, Evelyn Salt, instead of being a housewife in the suburbs, is a highly trained CIA agent, which makes the movie much more interesting. Unfortunately the well done action sequences do not make up for the uneven and jumpy plot line, and poor character development.

Knight and Day

2010, Rated PG-13, 109 minutes, Directed by James Mangold, Written by Patrick O’Neill, Produced by Arnon Milchan, Cinematography by Phedon Papmichael, Original Music by John Powell

With: Tom Cruise (Roy Miller), Cameron Diaz (June Havens), Peter Sarsgaard (Fitzgerald), Jordi Molla (Antonio), Viola Davis (Director George), Simon Feck (Paul Dano)

We’re in the heat (figuratively and literally) of summer blockbuster season and Knight and Day fits quite well amidst the competition. It is a true action comedy flick that has a decent balance between the two genres. While the plot could have been much more hashed out and better developed, as opposed its jumpy scene changes that span half of the northern, and perhaps some of the southern, hemisphere, it makes up for this with the wonderful acting and chemistry between Tom Cruise and Cameron Diaz. It is an engaging film that, although it does not stand out as a cinematic masterpiece is a fun movie that provides a welcome respite from the heat of the summer.

Predators

2010, Rated R, 106 minutes, Directed by Nimrod Antal, Written by Alex Litvak and Michael Finch, Produced by Robert Rodriguez, Cinematography by Gyula Pados, Original Music by John Debney

With: Adrien Brody (Royce), Topher Grace (Edwin), Alice Braga (Isabelle), Walton Goggins (Stans), Oleg Taktarov (Nikolai), Laurence Fishbourne (Noland), Danny Trejo (Cuchillo), Louis Changchien (Hanzo), Mahershalalhashbaz Ali (Mombasa)

At the end of a particular battle scene in Predators, I felt like the triumphant Predator was screaming at his audience “Are you not entertained!” This was the tone of the entire movie as it jumped right into the action and did not slow down until the closing credits. It was an excellent action piece that harkened back to the days when the movie schedule was packed to the gills with pure, unadulterated action flicks.  The film was good because it made no pretense at being a complex and cerebral film, but focused instead on gripping action and suspense.

Body of Lies

2008, Rated R, 128 minutes, Directed by Ridley Scott, Produced by Ridley Scott, Written by William Monahan, based on the novel by David Ignatius, Cinematography by Alexander Witt, Original Music by Marc Streinfeld

With: Leonardo DiCaprio (Roger Ferris), Russell Crowe (Ed Hoffman), Mark Strong (Hani) Golshifteh Farahani (Aisha), Oscar Isaac (Bassam)

Many, myself included, will always be interested in the inner workings of the CIA and its operatives. We have so many questions that can never be officially answered and so we are left to answer them with our imagination and of course Hollywood. Body of Lies dives deep into a post 9/11 world and explores the working relationship between an operative on the ground in the Middle East and his figurative and literal overseer glued to giant screens at home. Ridley Scott does an excellent job of creating a grand scale spy thriller with an intensity that keeps you glued up to the credits.

Robin Hood

2010, Rated PG-13, 140 minutes Directed by Ridley Scott, Written by Brian Helgeland, Produced by Ridley Scott, Cinematography by John Mathieson, Original Music by Marc Streitenfeld

With: Russell Crowe (Robin Longstride), Cate Blanchett (Marion Loxley), Max von Sydow (Sir Walter Loxley), William Hurg (William Marshal), Mark Strong (Godfrey), Oscaar Isaac (Prince John), Danny Huston (King Richard the Lionheart), Mark Addy (Friar Tuck), Matthew Macfaydyen (Sheriff of Nottingham), Kevin Durand (Little John), Scott Grimes (Will Scarlet)

The Robin Hood Project at the University of Rochester compiled a list in 2003 of 50 different feature films about Robin Hood. Ridley Scott’s aptly titled Robin Hood is yet another addition in an already extensive filmography. Based on my own viewing of various Robin Hood films (which is a fraction of the movies on the list), Scott does manage to stake a claim on new territory in the story. He answers the question, how did Robin Hood become Robin Hood, the notorious outlaw who steals from the rich and gives to the poor. While Scott does contribute a unique origin story, the movie itself is average fare with less original cinematic qualities.

Iron Man 2

2010, Rated PG-13, 124 minutes, Directed by Jon Favreau, produced by Jon Favreau and many others, Screenplay by  Justin Theroux based on the Marvel comic book, Cinematograhpy by Matthew Ligatique, Original Music by John Debney

With: Robert Downey Jr. (Tony Stark), Don Cheadle (Lt. Col James “Rhodey” Rhodes/War Machine), Scarlett Johansson (Natalie Rushman/Black Widow), Gwyneth Paltrow (Pepper Potts), Sam Rockwell (Justin Hammer), Mickey Rourke (Ivan Vanko/Whiplash), Samuel L. Jackson (Nick Fury), Jon Favreau (Happy Hogan)

The original Iron Man was considered a breath of fresh air in the superhero action movie genre. It was a surprise hit with a light hearted feel, great action, and wonderful and witty dialogue. Iron Man 2 comes with much higher expectations than the first one: bring more of the same fresh air but do it in a new and exciting way that does not stray too far from the original. While Iron Man 2 is an action packed movie with great new characters, it does not break out ahead of the original and even creates a much darker tone that gives it a much less original feel.

Kick-Ass

2010, Rated R, 117 minutes Directed by Matthew Vaughn, Written by Jane Goldman & Matthew Vaughn based on the graphic novel by Mark Millar and John Romita Jr., Produced by Adam Bohling, Matthew Vaughn and others, Cinematography by Ben Davis, Original Music by Marius De Vries, Ilan Eshkeri, Henry Jackman, & John Murphy

With: Aaron Johnson (Dave Lizewski/Kick-Ass), Lyndsy Fonseca (Katie Deauxma), Christopher Mintz-Plasse (Chris D’Amico/Red Mist), Mark Strong (Frrank D’Amico), Chloe Moretz (Mindy Macready/Hit-Girl), Nicolas Cage (Damon Macready/Big Daddy)

Superhero movies have been around for long time. In the past 10 years they have become assured box office success raking in hundreds of millions each. The majority of these films tackles a standard plot of a superhero taking the law into his own hands to clean up the city or exact revenge. Kick Ass, the latest movie adapted from a graphic novel, creates a new premise around the typical superhero plot. The protagonist is no longer a superhero but instead an average teenage boy, a neurotic father and his young daughter. Kick Ass is a new direction in the superhero drama that also represents the progressively more violent and shocking nature of today’s entertainment industry.

Tron

 

1982, Rated PG, 96 minutes, Directed by Steven Lisberger, Written by Steven Lisberger & Bonnie MacBird, Produced by Donald Kushner & Ron Miller, Cinematography by Bruce Logan, Original Music by Wendy Carlos

With: Jeff Bridges (Kevin Flynn), Bruce Boxleitner (Alan Bradley), David Warner (Ed Dillinger), Cindy Morgan (Lora)

Tron takes you into the world of computer programs and video games...literally. It takes place in 1982 when video games were getting their start and computers were beginning to tackle more functions and responsibility. Tron dazzles the eye with bright colors and captures the imagination in its immersive virtual reality.

In 1982, video games were just beginning to enter the mass market from the exclusive entertainment world where they started. Tron gives a bigger picture of that world from the inside out. Tron gives life to the virtual world behind the screen by creating people who do the fighting and obey the commands of their outer world users. The movie uses a simple and engaging plot to address issues of technology, corporations, greed and power.

Green Zone

2010, Rated R, 115 minutes Directed by Paul Greengrass, Written by Brian Helgeland, based on the book Imperial Life in the Emerald City: Inside Iraq’s Green Zone by Rajiv Chandrasekaran, Produced by Lisa Chasin & Debra Hayward, Cinematography by Barry Akroyd, Original Music by John Powell

With: Yigal Naor (General Al Rawi), Matt Damon (Miller), Amy Ryan (Lawrie Dayne), Greg Kinnear (Clark Poundstone), Brendan Gleeson (Martin Brown), Jason Isaacs (Briggs)

In an attempt to distance the movie from the war in the Iraq box office curse, Universal decided to market Green Zone as a movie with that director from Bourne Supremacy and Ultimatum, and Jason Bourne in the US army; the only problem is the movie does not really compare with any of the Bourne series and so draws viewers in with false expectations...at least that is what happened to me.